CHINOISERIE (chen-wah-zoor-ee)
The client and his
wife had been long-time friends by the time they called
to ask me if I would mind driving down to see the new
home they had just purchased in an exclusive golfing
community in La Quinta, California – a beautiful
spot in the Golden State nestled in the foothills of
the San Jacinto mountain range.
I always do some
of my best creative thinking on these types of drives
and this one – even if the traffic should happen
to be in my favor – would certainly take a few
hours. Time to reflect on the client’s likes and
dislikes (always very important!) as well as their level
of sophistication and exposure to various design styles.
I already knew that this couple had traveled extensively
to all parts of the world and had a high degree of awareness
as to quality and style. I enjoyed them as friends and
appreciated their knowledge on a wide range of subjects
and I already knew that whatever design road we would
take with this new home, oriental and ethnic influences
would be major components.
The door opened and
there stood the man that most of America knew as the
unflappable captain of a New York City police precinct
for seven television seasons – a bit more mature
but still as affable and as charming as ever. His TV
role surely belied the fact that he was such a versatile
performer (being an accomplished actor, singer and musician)
– as well as a sophisticate well versed in the
classics and able to converse on a wide range of topics.
We discussed the
general theme for their new home over a wonderful lunch
at the clubhouse and I was right in thinking that they
were expecting quality (as usual) and that touches of
the Orient and the exotic would be appreciated. These
educated clients knew instinctively that there is most
always a place for this type of accessorizing in any
fine decorative scheme. I also knew –even before
beginning the design process – that we would have
at least one major piece of chinoiserie in their new
home, not realizing at that time just how vital and
important a role that item would play.
The views from the
house were magnificent overlooking a beautiful lake,
golf course and finally the San Jacinto mountains which
appeared almost magenta shadowed with tips of snow white.
The large family room turned out to be really ethnic
in character with stone and bamboo and luxurious chenille
and it all came together much as expected – but
something was missing that would tie it all together
and make the colors really pop.
I decided that this
would be the place for the chinoiserie piece –
a console – placed behind the longer of two sofas
and the first thing to be seen when entering the room.
The color of the mountains inspired my palette and the
clients’ love of the oriental led me to the design
of a somewhat traditional Chinese altar table.
For those of you
not familiar with “chinoiserie” (though
you no doubt would have crossed its path countless times)
it is a sort of catch-all term for the style of Chinese
themes in decoration that took root in Western Europe
sometime in the late 17th Century. Really they were
rather fanciful Western interpretations of actual Chinese
styles with European craftsmen usually drawing freely
decorative forms on cabinets and tables – much
like I was having my brilliant local artisan execute
for these clients.
What you would have
likely encountered at some point, whether on a stunning
Coromandel screen (we use one as a headboard in our
guest room) or on a painted Chinese-style chest or table
(we have several in our home) is a true chinoiserie
décor fairyland described by one dictionary as
a place where “mandarins lived in fanciful mountain
landscapes with cobweb bridges, carried flower parasols,
lolled in flimsy bamboo pavilions haunted by dragons
and phoenixes, while monkeys swung from scrolling borders.”
The console table
I created for these discriminating clients did eventually
have the “scrolling borders” but I stayed
away from the swinging monkeys – although they
did appear as carved figures on the entry hall chandelier!